16juin 2021 au cinĂ©ma / 1h 38min / Animation, Drame, Romance. De Kotaro Tamura. Par Sayaka Kuwamura, Seiko Tanabe. Avec Kaya Kiyohara, Taishi Nakagawa, Matsutera Chiemi. Titre original Josee to Tora to Sakana-tachi. SYNOPSIS ET DĂTAILS. Kumiko, paraplĂ©gique depuis lâenfance, vit avec sa grand-mĂšre, qui la sur-protĂšge du monde
Cette scĂšne est magnifique oui . J'ai trouvĂ© le traitement de cette histoire d'amour assez original , l'handicap de JosĂ©e n'est pas vraiment le thĂšme "principal" du film , c'est une histoire d'amour tout Ă fait naturelle , mais lĂ oĂč le film se dĂ©marque des autres ,c'est qu'il repose entiĂšrement sur les deux personnages , sans jouer sur le pathos , c'est un film vraiment lĂ©ger et simple et c'est lĂ tout sa force . Les personnages sont trĂšs bien Ă©crits , et assez complexes , chacun va apporter quelque chose Ă l'autre , chacun vit dans son propre monde en quelque sorte , ils vont tous les deux sortir de leur train train quotidien , c'est une relation enrichissante pour les deux mĂȘme si elle est de courte durĂ©e , Tsuneo finira par comprendre le poids que l'handicap de JosĂ©e implique , la scĂšne finale est vraiment gĂ©niale , j'ai presque eu les larmes aux yeux tellement elle est lourde de sens . J'en suis ressorti Ă©mu , vraiment un trĂšs bon film , mĂȘme si la Ăšre partie m'a paru un peu fadeLe film animation Josee to Tora to Sakana-tachi Josee, the Tiger and the Fish se montre avec une premiĂšre affiche officielle ! Le film est prĂ©vu pour cet ĂtĂ© le 25 DĂ©cembre 2020 dans les salles japonaises. repoussĂ© Ă cause du covid-19 Genre Tranche de vie, Romance Synopsis Tsuneo est un Ă©tudiant qui travaille Ă temps partiel dans un salon de Mah-jong. DerniĂšrement, les clients parlent dâune vieille dame qui pousse un mystĂ©rieux landau dans les rues. Un jour, il dĂ©couvre que câest une jeune fille paraplĂ©gique du nom de Kumiko qui sây trouve et qui se fait appeler JosĂ©e en rĂ©fĂ©rence Ă son livre favori. Une amitiĂ© se dĂ©veloppe entre eux jusquâĂ peu Ă peu se transformer en amour. MAJ Trailer Staff Animation Auteur Seiko Tanabe Studio BONES RĂ©alisateur Kotaro Tamura saga Noragami ScĂ©nariste Sayaka Kuwamura Hatsukoi Loss Time, Over Drive, Yameru Toki mo, Sukoyaka Naru Toki mo Chara Design Haruko Iizuka Kujira no Kora wa Sajo ni Utau, Endro, Ensemble Stars Responsable Animation Haruko Iizuka Kujira no Kora wa Sajo ni Utau, saga Little Busters! Musiques Evan Call saga Violet Evergarden, Appare-Ranman!, Mayonaka no Occult Komuin Le roman Joze to Tora to Sakana-tachi Josee, the Tiger and the Fish de Seiko Tanabe est sorti en 1985 aux Ă©ditions Kodansha au Japon. Et un film live, rĂ©alisĂ© par Isshin Inudou, est sorti le 13 DĂ©cembre 2003 dans les salles japonaises. Trailer source © Seiko Tanabe /Kadokawa/Joze to Tora to Sakana-tachi Project Articles similaires
A Heartwarming Anime Romance And Effective Exploration of Disability DIRECTED BY KOTARO TAMURA/2020 What would it be like for a mermaid born on land? This question is the lens through which Josee, The Tiger and the Fish examines disability. An adaptation of Seiko Tanabeâs 1985 short story of the same name, Josee is a romantic drama produced by animation studio Bones, with US distribution handled by Funimation. The feature directorial debut of Kotaro Tamura, Josee is an enjoyable and well-presented love story, following the trend of similar anime feature romances, at times perhaps following that pattern a bit too closely. The animation is well done, but much like the filmâs narrative it largely plays it safe and emulates the aesthetics of previous works. The key point of distinction for Josee is the way it addresses disability, primarily via the female lead and metaphorical mermaid, the eponymous Josee. Josee opens by introducing us to Tsuneo, a young college student with a passion for diving, as he tries to find a second part-time job so that he can afford to study abroad in Mexico. One night, as Tsuneo is returning home, a young woman in a wheelchair comes barreling down a hill towards him. Tsuneo manages to catch her, and is introduced to the standoffish, wheelchair-bound Josee and her grandmother as he escorts the pair home. After spending the evening at their residence, Tsuneo is offered a job by Joseeâs grandmother. She requests that he serve as her granddaughterâs caretaker, which the young man hesitantly accepts, much to Joseeâs annoyance. From this point, the film shifts to the day-to-day of Tsuneo serving as Joseeâs caretaker, her initial antisocial response to his presence melting away as they become closer, bonding over their mutual love of the sea. Josee is introduced to a wider world outside her home, gaining a sense of autonomy and freedom despite her restricted mobility, while Tsuneo learns to slow down and better cope with the roadblocks that appear in his life. The narrative is enjoyable, despite being very familiar to those whoâve watched much romantic slice-of-life anime made in the last decade-and-a-half. The familiar archetypes are there; the straightforward male lead in Tsuneo, his modest friend group, Josee as the tsundere love interest, and her grandmother as the eccentric parental figure. The plot beats too are well worn ground at this point, and there are certainly times in the filmâs middle portion where it drags a bit. But, for the most part, itâs a competently told, charming story with a fun-if-familiar cast. How Josee addresses disability is perhaps its most interesting quality. That initial question, âwhat would it be like for a mermaid born on land?â allows the film to explore disability in a way that retains a certain fantastical quality without the typical patronizing tone films can take when exploring the subject. The paraplegic Josee is not a literal mermaid, certainly, but she cannot walk in a society being able to is the norm. Josee being shut away in her home, struggling to get around, and being treated like a child is not an inherent trait, but something projected onto her by a society which often looks down on and condescends to those with a disability, and as such it takes time for her to unlearn this sense of helplessness that has been foisted upon her. Hence why a mermaid is such an effective metaphor for Joseeâs condition; a mermaid is not inherently broken or lesser than someone with legs, it is simply different. The film balances this all admirably, always making sure to frame problems that arise from Joseeâs paraplegia as how the status quo responds to such a disability. In particular, it mitigates the issues of infantilizing Josee too much by showing how she responds to an instance of Tsuneo being physically impaired, possibly permanently. How sheâs able to address his concerns and help him through a fear of losing out on his dreams because of this impairment, using the knowledge and experience she has gained from living with her own disability. This addition is one of the more interesting segments of the narrative, and helps circumvent the filmâs potential to talk down to viewers that might have their own physical impairment, giving it a distinct identity in the vast ocean of anime romantic dramas. Visually, Josee is effectively presented, if not terribly distinct. The character designs arenât especially inventive, but are still quite solid and expressively animated, with mostly more grounded character animation that occasionally offers more stylization in facial expressions. The backgrounds are largely typical urban realism, and despite some more interesting material under the sea and in dream sequences itâs mostly painterly renditions of city streets and building interiors throughout. The computer generated elements stand out a bit and can at times be a bit distracting, but are fairly minimal and not a major issue. There are a few visuals that did catch my attention, however. A handful of shots where the camera circles characters are well done and stylish, with very fluid animation. The use of cutaways to a siren are also a distinct visual flourish that stood apart from the rest of the film, adding to the tension and helping to make the sequence considerably more potent than a more straightforward depiction might. Lastly, Joseeâs art offers some more interesting visuals, with highly stylized still illustrations that reflect a certain outside artist sensibility, and add quite a bit to her character. As a whole, Josee, The Tiger and the Fish is an exceptional film, if not for its visual style and overall narrative, then for its ability to have a nuanced look into disability. Managing to weave such a loaded topic into a sweet, albeit familiar, story is a considerable achieve, and its effective and frequently attractive presentation makes it all the more worthy of seeking out. Fans of such romantic fair as the films of Makoto Shinkai should definitely give this one a look if theyâre seeking out something familiar with a distinct addition, while those less familiar with the trappings of the genre are certain to find it an effective gateway film. Josee, The Tiger and the Fish will be screening in theaters courtesy of Funimation, dubbed in English on Monday July 12th and in Japanese with English subtitles on Wednesday, July 14th.Actu Animation > De nouvelles vidĂ©os pour le film d'animation Josee, the Tiger and the Fish « Une jaquette rĂ©versible pour Ocean Colored Fin dĂ©clarĂ©e pour le manga Immortal Hounds » Une jaquette rĂ©versible pour Ocean Colored Fin dĂ©clarĂ©e pour le manga Immortal Hounds » Mardi, 18 August 2020 Ă 11h00 - Source Crunchyroll Initialement prĂ©vu au Japon cet Ă©tĂ© avant d'ĂȘtre repoussĂ© au 25 dĂ©cembre suite aux circonstances de ces derniers mois, et d'ores et dĂ©jĂ prĂ©vu dans les cinĂ©mas français grĂące au distributeur Eurozoom qui n'a pas encore donnĂ© de date, le film d'animation Josee, the Tiger and the Fish Josee to Tora to Sakana-tachi continue de se dĂ©voiler au fil de deux nouvelles vidĂ©os, visibles vidĂ©os sont l'occasion d'apprendre le nom des seiyĂ»s des deux personnages principaux Taishi Nakagawa incarnera Tsuneo Suzumura, tandis que Kaya Kiyohara interprĂ©tera long-mĂ©trage voit le studio Bones adapter une nouvelle Ă©ponyme de Seiko Tanabe, initialement publiĂ©e au Japon en 1984, et qui avait dĂ©jĂ connu un film live au Japon en 2003. Le film est rĂ©alisĂ© par Kotaro Tamura Noragami sur un script de Sayaka Kuwamura. Le character design original a Ă©tĂ© conçu par la mangaka Nao Emoto, avant d'ĂȘtre adaptĂ© pour l'animation par Haruko Iizuka Les Enfants de la Baleine.La nouvelle d'origine nous invite Ă suivre une jeune fille du nom de Josee, qui, obligĂ©e de se dĂ©placer en fauteuil roulant, s'est toujours Ă©vadĂ©e Ă travers son imaginaire. Son quotidien bascule quand elle rencontre Tsuneo, un Ă©tudiant en quĂȘte de ses rĂȘves. Last 5 news Last 5 news Populaires Last 5 reports Last 5 online manga La sĂ©lection vidĂ©o du moment Lefilm Umibe no Ătranger le film est l'adaptation du manga Umibe no Ătranger le film. Ce manga est sorti pour la premiĂšre fois en Avril 2013 et s'est terminĂ© en Avril 2014 avec un total de 1 titres qui sont disponibles en France. Umibe no Ătranger le film est un film appartenant au style Josei des studios d'animation Studio hibari.
Josee, The Tiger and the Fish Photos Movie Info With dreams of diving abroad, Tsuneo gets a job assisting Josee, an artist whose imagination takes her far beyond her wheelchair. But when the tide turns against them, they push each other to places they never thought possible, and inspire a love fit for a storybook. Genre Romance, Drama, Anime, Animation Original Language Japanese Director Writer Release Date Theaters Jul 12, 2021 original Runtime 1h 38m Cast & Crew Critic Reviews for Josee, The Tiger and the Fish Audience Reviews for Josee, The Tiger and the Fish2ROLAUQ.